I have been playing with Golden Open Acrylics for about a week now and I am very impressed with them. Soon I will post a few samples of what I have been working on.
New Setup - I have gotten rid of the clutter in my studio. Using a few 2x4's and a sheet of MDF board, I built a new palette table. The painting is what I am currently working on. The location is a few blocked back on Pike looking down at the Market.
I am using black acrylic paint and white gesso to sketch out the composition of this painting. Eventually, once the values are refined a little more I will use oils. This scene is a few blocks back from Pikes Place Market. I want to make this as complex as I can so it will be a slow progress.
"Elliott Bay" - 32 x 21 in - Oil on Canvas - by Nick Orban
This is the painting I am currently working on. I start with two blank canvases (8x10 & 32x21)using the 8x10 to test my color choices and composition. At this stage, I am focusing mainly on the large abstract shapes and values. I tend to find the details as I go by keeping the brush strokes loose. In the begining phase, I use a mixture of 5 parts turp, 1 part damar varnish, and 1 part stand oil to thin the paint and a 6 cup cupcake pan as a palette.
*The music is from The String Quartet Tribute to Radiohead
I built this easel from scratch, using 1 x 2's from the lumberyard and a few screws and hardware. The idea had been in my mind for a while. I wanted an easel that could adjust to accommodate larger and multiple canvases. Now I can work on a few paintings at once. It will make it a lot easier to paint diptychs and triptychs
The Public Market - 12 x 9 in - Oil on Canvas I have not put this painting up for bidding on ebay, however it is for sale, if you are interested please contact me by email
Visit my website to see more of my work. If your in the Seattle area come by the Blue Star Cafe & Pub May 6th at 6 to 9pm for my next show. I will also be displaying work at ArtFX in Fremont the following Friday. Hope to see you there.
I am going to be participating in two Art Walks in May one is Wallingford and the other in Fremont. The first is May 6th at Blue Star Cafe & Bar from 6 - 9pm. The second is at ArtFX in Fremont. I will be posting the paintings I have been working on for them soon.
This oil painting is 12in x 18in on board. The view is from the South Beach of Discovery Park in Seattle. The finished piece will be part of my show at Blue Star in Wallingford, May 6th. I will post more soon.
I have just updated my ebay store as you can see by the left column of this blog. All images are available now, just click to view details and to purchase. All the images are directly linked to my store. Thank you.
ACEO's (Art Card Originals and Editions) are collectible cards of artwork measuring 2.5 x 3.5 inches. These are a few of my newer ones, they are available now in my eBay store
"Cows Came Home" - 3.5 x 2.5 in (ACEO) - Original Oil - Nick Orban $20.oo on eBay
"Grazing" - 3.5 x 2.5 in (ACEO) - Original Oil - Nick Orban $20.oo on eBay
"Hay" - 3.5 x 2.5 in (ACEO) - Original Oil - Nick Orban $20.oo on eBay
"Riverbend" - 3.5 x 2.5 in (ACEO) - Original Oil - Nick Orban $20.oo on eBay
"Elliott Bay I" - 3.5 x 2.5 in (ACEO) - Original Oil - Nick Orban $20.oo on eBay
"Elliott Bay II" - 3.5 x 2.5 in (ACEO) - Original Oil - Nick Orban $20.oo on eBay
"Elliott Bay III" - 3.5 x 2.5 in (ACEO) - Original Oil - Nick Orban $20.oo on eBay
"Still Waiting" - 7 x 5 in - Oil on Board - by Nick Orban
Step Four This is where I begin to model and render the forms. Keeping in mind the direction of light and the temperature of the colors. This part took the longest, but it is also the most fun.
Step Three Adding white to the mix, I layout the higher middle tones, leaving the board blank for the highlights.
Step Two Then using more Burnt Sienna and Yellow Ochre I added the basic middle tones
Step One I start by quickly blocking in the composition, using a mixture of Burnt Sienna and Ultramarine Blue
The Shore (in progress) - 16 x 20 in - Oil on Board - Nick Orban
The Video is the progression of Day One. My process is pretty basic, I start by mixing a pool of Burnt Sienna and Ultramarine Blue. I use a six cup cupcake pan for a palette at this point, it makes it easy to load up the brush and its less messy. With in the first 10 mins I will try to block in the composition and basic drawing (min 1:24 in the video). Then I added more of the two colors together causing the mix to become thicker, leaning towards the cooler side. I establish my darks, keeping in mind the direction of the light.
Once I am satisfied with the drawing, I mix up a blue-gray by adding white to my mixture (still using the cupcake pan). Then I lay in the ground. Since the waves are receding away from the shore I try to add what will be the sky color to the ground near the water. After the ground and water is in I begin to block in the sky.
When I paint skies I will limit my palette and just think about value and shapes. I never really know how the sky will look when I start, its one of those things you figure out as you go. I often find the clouds in between brush strokes and either enhance them or paint over them. From that point in the video, you will see a time-lapse. Since it was mostly detail work and reworking, I condensed it.
If you have any questions for me please send me an email or leave a comment below. Thanks.
The focus of my new work has expanded to the wider range of subjects that the Northwestern Landscape has to offer.
I am a graduate of the Ringling School of Art and Design 2005. Since school I have been showing my work in Atlanta, and Seattle. For more info check out my website at nickorban.com
My EMAIL is nickorban81@hotmail.com